Vintage Culture feels truly alive only when it communicates with people through its music. “When I play my tracks and people smile, that's life,” says the Brazilian. So far, his life has been a nonstop adventure. What started in 2008 as an experiment in a bedroom in a small Brazilian town in the middle of nowhere has now led him to play in front of crowds of 25,000 people at his So Track Boa Festival, touring the United States, appearing on the cover of Rolling Stone magazine, entering the Forbes 30 Under 30 list and obtaining multiple platinum records with more than 1.5 billion online streams from all over the world. For Lukas Ruiz, Vintage Culture is a 24-hour responsibility. A passionate project that aims to unite people through music. He's someone who continues to erode traditional genre boundaries while creating music that works both at the nightclub and at home. Inspired by the work of innovative artists such as Pink Floyd, Pet Shop Boys and Kraftwerk, Vintage Culture produces soundtracks for people's lives. Music with emotion, storytelling, melodic hooks and contagious grooves. During the pandemic, it didn't stop. He has released 'It Is What It Is' with Elise LeGrow's surprising voice, beautiful piano chords and an effortless bass line, as well as' Coffee 'with Tiësto, 'Party On My Own' with his compatriot Alok and Volume 4 of his compilation Vintage Culture & Friends. This year's track “Cali Dreams” with Fancy Inc featuring The Beach is already a big hit with its lush synthesizers and passionate vocals. All this after impressive remixes by artists like Meduza, Moby and David Guetta, and collaborations with artists including Jorja Smith, Moby and Sia. Many of Vintage Culture's releases have been certified Platinum, and he has topped the Billboard Hot Dance, Spotify Dance and Beatport Main Overall charts several times for his releases on Spinnin' Records, Defected and his Só Track Boa label. Ruiz is the creative force and owner of the label and is also responsible for the growing international festival and fashion of the same name. All of this has established him as one of the most influential and creative talents of his generation in Brazil and beyond. As a DJ, Vintage Culture has the ability to connect with every dancer, whether playing for hundreds in a club or thousands on a festival's main stage. He prefers to do long sets to explore his collection thoroughly, and he loves sets at dusk or dusk to create those extra special moments, shivers of real musical magic. “I am a vibration connector,” he says with a smile. Although the difficult year of the pandemic saw canceled concerts at Coachella, EDC Vegas, Lollapalooza Chicago, Tomorrowland, Creamfields, Ushuaia Ibiza, Pacha Ibiza, Parookaville, Ruiz spent his time raising $100,000 for a COVID-19 relief fund in Brazil. Now, after a year of creating more than 100 new tracks, Vintage Culture is ready to get back on the road and once again spread its only brand of musical positivity in the world.

Juliano Beltran, the name behind the project that solidified itself in the underground scene after the release of ‘Smack Yo’ by the acclaimed Solid Grooves. The gaúcho who dominated the beatport charts also received constant support from prominent names in the scene such as: Michael Bibi, Jamie Jones, Marco Carola, Latmun, Mochakk, Classmatic and many others.

A clear love for music makes Beltran’s productions full of personality and charisma, characteristics that are also expressed in his single ‘Warning’, released by Revival New York. The serious groove expressed in his work is also highlighted in his DJ sets, which ensured Beltran’s residency, at the grandiose ‘Basement’ in Porto Alegre, RS - Brazil.

The project was also well received by the consecrated Amine Edge & Dance, after signing two releases on CUFF, among them the single ‘Basement’ which features original vocals recorded by Beltran himself, expressing a message of presentation to the underground sound and also the track ‘MFK’, in collaboration with Cla$$ and JCult.